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Those interested in active participation can apply by sending a CV (max. 900 characters) to the email address email@example.com no later than by 31 July 2021. The age limit for participants is 25.
Public masterclasses are yet another way that the Academy of Classical Music at the Dvořák Prague Festival is working to promote the education of musicians. As an ancillary programme in the series, For the Future, young musicians are given the chance to play before exceptional artists, performers who have invaluable experience on the world’s great stages, and to consult them about their views on the interpretation of a work. A masterclass is a unique opportunity for the public to witness the final phase of preparing an interpretation. Rather than a usual lesson, it is an exchange of artistic opinions. It provides exciting insight into the final phase of a young artist’s preparation, before the moment when that performer appears in the concert arena with a finished interpretive conception, in order to share an artistic opinion with the public.
The mentors at this year’s masterclasses will be important figures from the current festival. Their undoubted authority can influence the future course of musical thinking among the rising generation of performers.
The pianist Boris Giltburg, curator of our Chamber Series, will be guiding young pianists through the world of selected works for piano on 13 Sept. 2021 at 10 a.m. at the Rudolfinum’s Suk Hall.
The Moscow-born, Israeli pianist is lauded across the globe as a deeply sensitive, insightful and compelling interpreter. Critics have praised his “singing line, variety of touch and broad dynamic palette capable of great surges of energy” (Washington Post) as well as his impassioned, narrative-driven approach to performance.
In recent years Giltburg has engaged in a series of in-depth explorations of major composers. To celebrate the Beethoven anniversary in 2020 he embarked upon a unique project to record and film all 32 of Beethoven’s piano sonatas across the year. He also recorded the complete concerti with Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra on Naxos.
In 2021-2023 Giltburg explores the complete works of Ravel, performing the solo works across Bozar, Flagey and the Amsterdam Musiekgebouw, and the whole cycle at Wigmore (including the Violin Sonatas with Alina Ibragimova). He also plays Ravel’s concerti with the Orchestre National de France/Macelaru at Bozar, Brussels Philharmonic/Prieto at Flagey, and Residentie Orkest/Bihlmaier at the Concertgebouw.
Widely recognized as a leading interpreter of Rachmaninoff, Giltburg completes his recording of Rachmaninoff’s solo works in 2023 and releases the last disc in his acclaimed concerto cycle. Giltburg also plays Rachmaninoff concerti with Sakari Oramo and the BBC Symphony at the Barbican, Tomáš Netopil and the Czech Philharmonic, Nicholas Collon and the Finnish Radio Symphony, and Brussels Philharmonic and Giancarlo Guerrero at Flagey.
Giltburg regularly plays recitals in the world’s most prestigious halls, including the Amsterdam Concertgebouw, Carnegie Hall, Hamburg Elbphilharmonie, Wiener Konzerthaus and London Southbank Centre. He has worked with Philharmonia Orchestra, London Philharmonic, Czech Philharmonic, Oslo Philharmonic, Dresden Philharmonic, NHK Symphony and at the BBC Proms. In 21/22 he debuted at the Santa Cecilia di Roma with Kirill Petrenko.
Giltburg’s collaboration with Naxos began in 2015, winning the Opus Klassik award for Best Soloist Recording (Rachmaninoff concerti and Etudes Tableaux) and a Diapason d’Or (Shostakovich concerti and his own arrangement of Shostakovich’s 8th String Quartet). He also won a Gramophone Award for the Dvorak Piano Quintet on Supraphon with the Pavel Haas Quartet, as well as a Diapason d’Or for their latest joint release, the Brahms Piano Quintet.
Giltburg feels a strong need to engage audiences beyond the concert hall. His blog “Classical music for all” is aimed at a non-specialist audience, and he complements it with articles in publications such as Gramophone, BBC Music Magazine, Guardian, Times and Fono Forum. During the lockdown period in spring 2020, Giltburg regularly streamed live performances and masterclasses from home, with over 1 million views.
Suk Hall is the newest hall in the Neo-Renaissance Rudolfinum. It was created from 1940 to 1942 during modifications of the adjacent Dvořák Hall, as a smaller concert hall. In designing the interior decor architects Antonín Engel and Bohumír Kozák took inspiration from the original style of the Rudolfinum’s architects Josef Zítek and Josef Schulz, thus Suk Hall fits perfectly into the original composition of the building. During the most recent modifications in 2015, according to a design by architect Petr Hrůša, the acoustics of the hall and its connection to the Rudolfinum’s atrium were improved while respecting the historical value of these premises, protected as a historical landmark. Suk Hall has a new grand piano and continues to be intended mainly for performances of chamber music.