Pianist András Schiff starts each day with a rendition of Bach, and in his own words, it is different every time. Piano Concerto No. 1 in D Minor by Johann Sebastian Bach will be the first piece performed at the concert by this originally Hungarian virtuoso. As well as playing the piano, he will be conducting the Czech Philharmonic.

For quite some time now, Sir András Schiff has needed no introduction among the music-loving public. Two years ago, as the Dvořák Prague festival’s Artist-in-Residence, he enthralled audiences as a pianist and conductor of the first Czech orchestra. However, his performance this year, despite having the same line-up, will be different – just as Bach’s music is different each time it is played . Over the course of one evening, he will perform two piano concertos: Bach’s Piano Concerto No. 1 and Mozart’s Concerto No. 27 in B flat Major. To conclude the evening, he will be conducting Beethoven’s Symphony No. 3 in E flat Major, as known as the Eroica.

Schiff argues that music and politics are inextricably linked, even though these pieces were written by composers who have long been dead. The heroic symphony begins with a military fanfare motif, reminiscent of a call to arms. However, the funeral march in the second movement serves to reminds us that an egoistic obsession with unlimited power can also lead to great downfalls.

Chosen as Gramophone’s 2024 ‘Orchestra of the Year’, this season the Czech Philharmonic will be a guest in the most prestigious halls across East Asia – Taiwan, Japan and South Korea – as well as major cities in Germany, Italy, Austria, Luxembourg and Belgium. In the Czech Republic, the orchestra appears at its home, the Rudolfinum in Prague, at festivals including Prague Spring, Dvořák Prague and Smetana Litomyšl, as well as at international festivals such as Grafenegg, George Enescu and Bad Kissingen.

The Czech Philharmonic and its Chief Conductor and Music Director, Semyon Bychkov, launch the 130th season in Prague with two programmes that feature composers who have been particularly significant throughout Bychkov’s career: Tchaikovsky, with whom he initiated his tenure with the Czech Philharmonic; and Shostakovich, whose 50th anniversary is being commemorated across the world. Both programmes also feature works for piano: Ravel’s Piano Concerto and Strauss’ Burleske.

The Czech Philharmonic’s programmes with Bychkov this season feature Mendelssohn’s Symphony No. 4, Stravinsky’s Pulcinella and The Rite of Spring, Mahler’s Kindertotenlieder and concertos by Elgar, Brahms and Bryce Dessner, the 130th season’s Composer-in-Residence. In November, Bychkov will conduct Prokofiev’s Piano Concerto No. 1 with the 130th season Artist-in-Residence, Evgeny Kissin. Kissin will also give a solo recital as part of his residency.

2024 was the Year of Czech Music and the bicentenary of Bedřich Smetana, commemorated by the Czech Philharmonic and Bychkov with a new recording of Má vlast on PENTATONE. This recording, recently nominated for a 2025 BBC Music Magazine Award, was followed by the release of Dvořák’s Symphonies Nos. 7, 8 and 9, and the culmination of the Year of Czech Music in New York with a three-day residency at Carnegie Hall. In its review of the concerts, The New York Times described the Czech Philharmonic as “a timeless treasure… and an excellent steward for its country’s musical heritage.” In 2025, the orchestra celebrates the 150th anniversary of Vltava – the iconic second poem of Má vlast – with performances in Prague and East Asia.

The two Principal Guest Conductors of the Czech Philharmonic, Sir Simon Rattle and Jakub Hrůša, both conduct the orchestra this season. In December, Rattle leads the Czech Philharmonic and the women of the Prague Philharmonic Choir in music by Debussy, Messiaen and Mahler, as well as a programme of works by Berlioz, Lutosławski and Beethoven with the Czech Philharmonic Youth Orchestra (CPYO). In September, PENTATONE release Dvořák’s Slavonic Dances conducted by Rattle, and with Jakub Hrůša continue their exploration of music by Josef Suk. Hrůša will also conduct music by Sibelius, Britten and the Czech premiere of Dessner’s St. Carolyn by the Sea for two electric guitars.

Each year the CPYO collaborates with a conductor appearing with the Czech Philharmonic and this season, in addition to Rattle, they will also work on Beethoven’s Symphony No. 4 with Giovanni Antonini. Antonini is of course just one of the many guest conductors invited by the Czech Philharmonic during its 130th season. Audiences can also look forward to the return of Dalia Stasevska, Sir Antonio Pappano, Cristian Măcelaru, David Robertson, Petr Popelka, and Thomas Adès, who conducts a programme in honour of Pierre Boulez’s 100th birthday. The 2025 Velvet Revolution concerts, Mahler’s Symphony No. 2 ‘Resurrection’ with the Prague Philharmonic Choir, will be conducted by Zubin Mehta.

In addition to Artist-in-Residence Evgeny Kissin, soloists featured this season include Mao Fujita, Barbara Hannigan, Amihai Grosz, Fleur Barron and Anastasia Kobekina, who are appearing with the Czech Philharmonic for the first time in Prague, and home-grown and international artists Magdalena Kožená, Josef Špaček, Seong-Jin Cho, Víkingur Ólafsson, Augustin Hadelich, Sol Gabetta and Nicola Benedetti, who return to the orchestra.

The Czech Philharmonic’s extraordinary and proud history reflects both its location at the very heart of Europe and the Czech Republic’s turbulent political history. Throughout the orchestra’s history, two features have remained at its core: its championing of Czech composers and its belief in music’s power to change lives. From as early as the 1920s, Václav Talich pioneered concerts for workers, young people and voluntary organisations, a philosophy which remains equally vibrant today. Alongside the CPYO, Orchestral Academy and the Jiří Bělohlávek Prize for young musicians, a comprehensive education strategy engages with more than 400 schools and an inspirational music and song programme led by singer Ida Kelarová for the extensive Romany communities has helped many socially excluded families to find a voice.

An early champion of the music of Martinů and Janáček, the Czech Philharmonic’s first concert in 1896 was an all-Dvořák programme conducted by the composer himself. Works by Czech composers – both established and new – remain the orchestra’s lifeblood. At the start of his tenure in 2018, Semyon Bychkov initiated the commissioning of works from fourteen Czech and international composers including Detlev Glanert, Julian Anderson, Thomas Larcher, Bryce Dessner and Thierry Escaich. Equally recognised for its special relationship with the music of Brahms, Tchaikovsky and Mahler – who conducted the world premiere of his Symphony No. 7 with the orchestra in 1908 – the Czech Philharmonic and Bychkov are currently mid-way through a Mahler cycle. The cycle – the orchestra’s first complete new recording of the symphonies since Václav Neumann’s more than 40 years ago – will be released by PENTATONE as a box set in spring 2026.

source: Česká filharmonie

Sir András Schiff was born in Budapest in 1953. He received his first piano lessons at the age of five from Elisabeth Vadász. He later continued his studies at the Franz Liszt Academy in Budapest with Prof. Pál Kadosa, György Kurtág, and Ferenc Rados, as well as with George Malcolm in London.

Piano recitals have always been a central part of his artistic activities, particularly his cyclical performances of piano works by Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Schumann, and Bartók. Since the pandemic, he no longer announces the programs for his recitals in advance, instead selecting works on the evening of the concert to suit the instrument and the hall.

Sir András Schiff performs with most of the internationally important orchestras and conductors. He focuses on the performance of the piano concertos by Bach, Mozart, and Beethoven under his direction. In 1999, he founded Cappella Andrea Barca, a chamber orchestra composed of musician friends and soloists, with whom he has since worked closely as both conductor and soloist. He also enjoys a longstanding collaboration with the Chamber Orchestra of Europe. Since 1998, he has been the artistic director of the Omaggio a Palladio festival, held at the Teatro Olimpico in Vicenza with Cappella Andrea Barca.

In 2018, he accepted the invitation to become an Associate Artist of the Orchestra of the Age of Enlightenment, which met his growing interest in performing on historical keyboard instruments.

Sir András Schiff has been a passionate chamber musician since his youth. From 1989 to 1998, he directed the Musiktage Mondsee, a chamber music festival in Austria that gained significant international recognition. Together with Heinz Holliger, he was also the artistic director of the Ittinger Pfingstkonzerte at Kartause Ittingen, Switzerland, from 1995 to 2013.

Supporting young musicians is particularly close to his heart. He teaches piano and chamber music at the Kronberg Academy and the Barenboim-Said Academy and gives numerous masterclasses. In 2014, he founded the Building Bridges mentoring program, which provides long-term support for emerging pianists.

For 15 years, Sir András Schiff was an exclusive Decca artist; in celebration of his 70th birthday, the label released a box set containing all 78 albums he recorded for them. Since 1998, he has recorded exclusively for ECM, where his live recordings of Beethoven’s complete piano sonatas, performed at the Zurich Tonhalle, received the highest accolades. His album Geistervariationen, featuring compositions by Robert Schumann, won the 2012 International Classical Music Award in the category Solo Instrument Recording of the Year. A chamber music edition in collaboration with clarinetist and composer Jörg Widmann includes Brahms’s two clarinet sonatas, Op. 120, as well as Intermezzi for Piano, composed by Widmann and dedicated to Sir András Schiff. His most recent recordings include Brahms’s two piano concertos, performed on a historic Blüthner piano with the Orchestra of the Age of Enlightenment (2021), and a selection of J.S. Bach’s key works, played on a clavichord (2023).

In March 2017, his book Musik kommt aus der Stille (Music Comes Out of Silence) was published by Bärenreiter and Henschel. The book, which includes essays and conversations with Martin Meyer, explores Schiff’s artistic philosophy, playing techniques, interpretative methods, and professional experiences as a pianist and conductor. It has been translated into several languages and republished in 2024.

In the spring of 2011, Schiff made headlines when he publicly spoke out against alarming political developments in Hungary. In response to the insults and attacks he received from Hungarian nationalists, he decided to stop performing in his home country.

Sir András Schiff has received numerous international prizes and distinctions. In 2006, he was honoured with an honorary membership of the Beethoven-Haus Bonn for his outstanding achievements as a Beethoven interpreter. He has been the recipient of the Robert Schumann Prize of the City of Zwickau and the Order Pour le Mérite for Sciences and Arts since 2011. In 2012, he was awarded the Grand Cross of Merit with Star of the Federal Republic of Germany, the Wigmore Hall Medal in London for his 30 years of musical activity, and the Golden Mozart Medal of the International Mozarteum Foundation. In the same year, he was also appointed Special Supernumerary Fellow of Balliol College (Oxford, UK) and received the Royal Philharmonic Society's highest honour, the Gold Medal, in London. He received honorary doctorates from the University of Leeds in 2014 and the Royal College of Music in 2018. In 2013, he was knighted by Queen Elizabeth II, receiving the title Knight Bachelor for his services to music. In 2021, he was awarded the Antonín Dvořák Prize in Prague for his many years of promoting Czech composers through his numerous recordings and concert activities worldwide. In 2022, he received the Bach Medal of the City of Leipzig as one of the most important Bach interpreters of our time.

He has been an honorary citizen of the city of Vicenza since December 2014 and an honorary member of the Accademia Olimpica di Vicenza since 2016, from which he received the Lauro Olimpico in 2023 for his extraordinary contribution to the enhancement of Vicenza's artistic and cultural heritage. In March 2024, he was awarded the Una vita nella musica prize by the Teatro La Fenice in Venice. In January 2012, he was awarded the Golden Mozart Medal of the International Mozarteum Foundation. He has been an honorary member of the Wiener Konzerthaus since the same year.

In August 2023, at his 66th appearance at the Salzburg Festival, he was honoured with the Festival Pin with Rubies as an “essential artist who has shaped Festival history.” In June 2024, Sir András Schiff was awarded the Austrian Cross of Honour for Science and Art, First Class, and received the Bösendorfer Ring, which had previously been awarded to Wilhelm Backhaus and Paul Badura-Skoda.

source: Künstleragentur Dr. Raab & Dr. Böhm

The Rudolfinum is one of the most important Neo-Renaissance edifices in the Czech Republic. In its conception as a multi-purpose cultural centre it was quite unique in Europe at the time of its construction. Based on a joint design by two outstanding Czech architects, Josef Zítek and Josef Schultz, a magnificent building was erected serving for concerts, as a gallery, and as a museum. The grand opening on 7 February 1885 was attended by Crown Prince Rudolph of Austria, in whose honour the structure was named. In 1896 the very first concert of the Czech Philharmonic Orchestra took place in the Rudolfinum's main concert hall, under the baton of the composer Antonín Dvořák whose name was later bestowed on the hall.