Robert Schumann: Concerto for Violoncello and Orchestra in A Minor, Op. 129
Anton Bruckner: Symphony No. 6 in A Major, WAB 106
Robert Schumann and Anton Bruckner stood at the pinnacle of 19th-century German Romanticism. The former arrived at the summit as the ideological leader of his generation, while the latter was not put at the pinnacle until after the fact—Bruckner’s music did not receive deserved recognition until after the composer’s death. Schumann’s Cello Concerto in A minor takes listener down long, mysterious paths towards an unclear goal, as if it were a musical illustration of the famed painting Poutník by Caspar David Friedrich. Dreamy snippets and fleeting ideas soon merge into a tightly interwoven musical current that flows ever onwards without ceasing. Bruckner’s Symphony No. 6 in A major seems to want to take Schumann’s fluidity to the extreme, spilling over into a mighty musical river. For all its majestic power, the river never overflows its banks, and massive harmonies go hand in hand with enchanting intimacy.
Leading the Munich Philharmonic will be the conductor Myung-whun Chung, and the Norwegian virtuoso Truls Mørk will play the solo part in the Schumann concerto.
The Munich Philharmonic was founded in 1893, and since then, under the direction of renowned conductors, it has vastly enriched Munich’s musical life. Gustav Mahler conducted the orchestra in the world premičres of his 4th and 8th Symphonies, and in November 1911, the world premičre of Mahler’s »Das Lied von der Erde« took place under Bruno Walter’s direction. Ferdinand Löwe led the first Bruckner concerts and established the orchestra’s Bruckner tradition, which was then gloriously continued by Siegmund von Hausegger and Oswald von Kabasta.
During the Rudolf Kempe era the Philharmonic made its first tour to what was then the U.S.S.R. The legendary Bruckner concerts with general music director Sergiu Celibidache made a major contribution to the orchestra’s international reputation. The Munich Philharmonic made Zubin Mehta the first »conductor laureate« in the orchestra’s history. For the 100ths anniversary of the premičre of Gustav Mahler’s Symphony No. 8 in Munich, chief conductor Christian Thielemann conducted two performances of this work. He was succeeded as chief conductor by Lorin Maazel, who held the position until his death in 2014.
As of the 2015-16 season, the position of chief conductor of the Munich Philharmonic is held by Valery Gergiev. Tours have taken the Munich Philharmonic to numerous European cities as well as Japan, China, Korea, Taiwan and the USA. Programme highlights conceived by Valery Gergiev include performances of symphonic cycles by Shostakovich, Stravinsky, Prokofiev and Rachmaninov as well as new formats, such as the »MPHIL 360°« festival. Concerts are regularly broadcast via live stream and on radio and TV. In September 2016, the first CD recordings documenting the Munich Philharmonic’s work were released under the orchestra’s own label, »MPHIL«. From 2017 to 2019, the Munich Philharmonic and Valery Gergiev recorded all of Anton Bruckner’s symphonies in the basilica of St. Florian Monastery, Anton Bruckner's final resting place. The complete recordings have been released in autumn 2020.
With »Spielfeld Klassik«, the Munich Philharmonic has developed a comprehensive music education programme for young and old. Up to 35,000 people of all ages attended the more than 150 events held each year. Under the motto of »MPhil on Site«, the Munich Philharmonic also leaves its home base – the Philharmonie Gasteig – to appear in unusual and varied locations, such as the Hofbräuhaus tavern as well as alpine meadows, clubs and industrial halls.
On 13 October 2018 the Munich Philharmonic and Valery Gergiev celebrated the 125th anniversary of the Munich Philharmonic by performing Igor Strawinsky's »Symphonie de Psaumes« and Gustav Mahler's Symphony No. 8.
Myung-Whun Chung began his musical career as a pianist, winning second prize at the Tchaikovsky Piano Competition in Moscow in 1974. After his musical studies at the Mannes School and Juilliard School in New York, he was appointed Carlo Maria Giulini’s assistant in 1979 at the Los Angeles Philharmonic and became Associate Conductor two years later.
He was Music Director of the Saarbrücken Radio Symphony Orchestra from 1984 to 1990, Principal Guest Conductor of the Teatro Comunale di Firenze from 1987 to 1992 and Music Director of the Opéra de Paris-Bastille from 1989 to 1994. The year 2000 marked his return to Paris as Music Director of the Orchestre Philharmonique de Radio France. His love for Italy has been the basis of his extensive work in that country for many years, including, from 1997 to 2005, his position as Principal Conductor of the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome. He also appears regularly at the Teatro alla Scala and Teatro La Fenice, recently conducting Madama Butterfly, Simon Boccanegra, Otello and Tristan und Isolde. Other recent opera engagements include La Traviata, Rigoletto and Otello at the Wiener Staatsoper. In Germany, he became Principal Guest Conductor of the Staatskapelle Dresden at the beginning of the 2012/13 season, the first conductor to hold the post in the history of the orchestra. Outside Europe, he is increasingly committed to musical and social causes in Asia through his role as Honorary Conductor Laureate of the Tokyo Philharmonic Orchestra and previously as Music Director of the Seoul Philharmonic Orchestra.
Highlights of the 2021-22 season include a return visit to La Fenice to conduct Fidelio, a European tour with the Wiener Symphoniker and a return visit to the Royal Concertgebouw Orchestra. Myung-Whun Chung will also continue his regular collaborations with the Staatskapelle Dresden, Tokyo Philharmonic Orchestra, Orchestre Philharmonique de Radio France, Orchestra dell'Accademia Nazionale di Santa Cecilia and Filarmonica della Scala.
Myung-Whun Chung has conducted some of the world’s most prestigious orchestras, including the Berliner Philharmoniker, Bayerischer Rundfunk and the Wiener Philharmoniker, as well as all the major London and Parisian orchestras. In the USA, he has collaborated with the Metropolitan Opera, New York Philharmonic, Philadelphia Orchestra, Boston Symphony, Chicago Symphony and Cleveland Orchestra.
An exclusive recording artist for Deutsche Grammophon since 1990, many of his numerous recordings have won international prizes and awards. Recent releases include a solo piano album of Brahms, Beethoven and Haydn, Messiaen Turangalîla Symphony and Shostakovich Lady Macbeth of Mtsensk with the Orchestre de l'Opéra Bastille, as well as Mahler Symphony No. 2, Mahler Symphony No. 9, Tchaikovsky Symphony No. 6 Pathetique and a Beethoven disc, all with the Seoul Philharmonic Orchestra.
Myung-Whun Chung has been the recipient of many honours and prizes for his artistic work, including the Premio Abbiati and the Arturo Toscanini prize in Italy and the Légion d’Honneur (1992) in France. In 1991, the Association of French Theatres and Music Critics named him Artist of the Year and in 1995 he won the Victoire de la Musique prize three times. He was named a Commandeur dans l'ordre des Arts et des Lettres by the French government in 2011. In 2017, he was appointed as “Commendatore dell’Ordine della Stella d’Italia.
Deeply sensitive to humanitarian and ecological problems of our age, Myung-Whun Chung has devoted an important part of his life to these causes. In 1994, he launched a series of musical and environmental projects in Korea for youth. He served as Ambassador for the Drug Control Program at the United Nations (UNDCP); in 1995, he was named Man of the year by UNESCO and Most Distinguished Personality by the Korean press association. In 1996, he received the Kumkuan, the highest cultural award of the Korean government for his contribution to Korean musical life. Myung-Whun Chung now serves as Honorary Cultural Ambassador for Korea, the first in the Korean government’s history. In 2008, he was designated the first conductor named as Goodwill Ambassador for the United Nations Children’s Fund (UNICEF).
Source: Askonas Holt
Truls Mørk’s compelling performances, combining fierce intensity, integrity and grace, have established him as one of the pre-eminent cellists of our time.
Truls Mørk is a celebrated artist who performs with the most distinguished orchestras including the Orchestre de Paris, Berliner Philharmoniker, Wiener Philharmoniker, Concertgebouworkest, Münchner Philharmoniker, Philharmonia and London Philharmonic orchestras and Gewandhausorchester Leipzig. In North America he has appeared with the New York Philharmonic, The Philadelphia and Cleveland orchestras, Boston Symphony Orchestra and Los Angeles Philharmonic. Conductor collaborations include Esa-Pekka Salonen, David Zinman, Manfred Honeck, Gustavo Dudamel, Sir Simon Rattle, Kent Nagano, Yannick Nézet-Séguin and Christoph Eschenbach, amongst others.
The 2021/22 season sees returns to Symphonieorchester des Bayerischen Rundfunks, London Philharmonic, Rotterdam Philharmonic Orchestra, Orchestre Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, hr-Sinfonieorchester, and Orchestre Philharmonique du Luxembourg, to name a few. Truls Mørk will be Artist in Residence at the Tongyeong Festival in Korea, opening the Festival with Dvořák’s Cello Concerto under Dalia Stasevska. He will also perform Shostakovich Cello Concerto No.1 with the Cologne Chamber Orchestra conducted by Christopher Poppen, and in recital with Hie-Yon Choi.
A great champion of contemporary music, Truls Mørk has given in excess of 30 premieres. In the 2019/20 season he premiered Victoria Borisova-Ollas’ cello concerto Oh Giselle, Remember Me, commissioned by the Swedish Radio Symphony Orchestra – where he was Artist in Residence, Bergen Philharmonic Orchestra and Gothenburg Symphony, and Royal Liverpool Philharmonic Orchestra, with whom he will give the UK premiere of the piece in May 2022. He has also given highly successful performances of Esa-Pekka Salonen’s Cello Concerto, conducted by the composer at the Royal Festival Hall, Lincoln Center and the Festival d’Aix en Provence. In collaboration with Klaus Mäkelä, he performed the Salonen Cello Concerto with Orchestre Philharmonique de Radio France and Oslo Philharmonic Orchestra. Other commissions include Rautavaara’s Towards the Horizon with the BBC Symphony Orchestra and John Storgårds, Pavel Haas’ Cello Concerto with Wiener Philharmoniker and Jonathan Nott, Krzysztof Penderecki's Concerto for Three Cellos with the NHK Symphony Orchestra and Charles Dutoit, Hafliði Hallgrímsson's Cello Concerto, co-commissioned by the Oslo Philharmonic, Iceland Symphony and Scottish Chamber orchestras.
With an impressive recording output, Truls Mørk has recorded many of the great cello concertos for labels such as Virgin Classics, EMI, Deutsche Grammophon, Ondine, Arte Nova and Chandos many of which have won international awards including Gramophone, Grammy, Midem and ECHO Klassik awards. These include Dvořák’s Concerto (Mariss Jansons/Oslo Philharmonic), Britten's Cello Symphony and Elgar's Concerto (Sir Simon Rattle/CBSO), Miaskovsky Concerto and Prokofiev's Sinfonia Concertante (Paavo Järvi/CBSO), Dutilleux (Myung-Whun Chung/Orchestre Philharmonique de Radio France), CPE Bach (Bernard Labadie/Les Violons du Roy), Haydn's Concertos (Iona Brown/Norwegian Chamber Orchestra), Rautavaara’s Towards the Horizon (John Storgårds/Helsinki Philharmonic Orchestra) as well as the complete Bach Cello Suites and Britten Cello Suites. His most recent recordings include Shostakovich’s Concertos with Oslo Philharmonic Orchestra/Vasily Petrenko, works for cello and orchestra by Massenet with the Orchestre de la Suisse Romande/Neeme Järvi and the Saint-Saëns Concertos together with the Bergen Philharmonic Orchestra/Neeme Järvi.
Initially taught by his father, Truls Mørk continued his studies with Frans Helmerson, Heinrich Schiff and Natalia Schakowskaya. In his early career he won a number of competitions such as the Moscow Tchaikovsky Competition (1982), Cassado Cello Competition in Florence (1983), the Unesco Prize at the European Radio-Union competition in Bratislava (1983) and the Naumberg Competition in New York (1986).
The Rudolfinum is one of the most important Neo-Renaissance edifices in the Czech Republic. In its conception as a multi-purpose cultural centre it was quite unique in Europe at the time of its construction. Based on a joint design by two outstanding Czech architects, Josef Zítek and Josef Schultz, a magnificent building was erected serving for concerts, as a gallery, and as a museum. The grand opening on 7 February 1885 was attended by Crown Prince Rudolph of Austria, in whose honour the structure was named. In 1896 the very first concert of the Czech Philharmonic Orchestra took place in the Rudolfinum's main concert hall, under the baton of the composer Antonín Dvořák whose name was later bestowed on the hall.